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The art centre is the cultural hub of the community and houses working studios, wood carving and screen-printing workshops, the architecturally designed Kutuwulumi Gallery and the Muluwurri Museum

Our Latest Artwork

Jilamara

Tina Patlas $747.50

Tiwi Skin Groups (tribes)

Kevin (DK) Puruntatameri $322.00

Pwoja

Doriana Bush $322.00

Ngiya jilamara II

Arthurina Moreen $322.00

Kulama

Tina Patlas $1,035.00

Kayimwagakimi jilamara

Janelle Mungatopi $747.50

Ngiya jilamara I

Arthurina Moreen $632.50

Ngiya jilamara II

Arthurina Moreen $690.00
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Ningiwulla ngirramini kitirumi yilaruwu jilamara
keeping culture strong through art

Our Art Centre

Established in 1989, Jilamara Arts is owned and governed by artists from the community of Milikapiti on the Tiwi Islands. Through workshops, training and representation Jilamara members are supported to build careers as internationally renowned artists. In the community it is an important place for many generations of Tiwi people to build bright futures.

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Our Culture

Jilamara artists are known for their Tiwi style, producing contemporary works based on ceremonial body painting designs, clan totems and Tiwi creation stories.

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Our Art

The term Jilamara describes “design” based on ceremonial ochre markings on the body. Reimagining these styles at the art centre has fostered a dynamic creative field for maintaining Tiwi knowledge, as well as sharing and celebrating contemporary living culture.

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Wurrungura

Wurrungura is a multi-media centre and digital archive for the audiovisual documentation and distribution of Tiwi heritage and culture.

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Muluwurri Museum

Established in 1988, the collection is held in trust for the Milikapiti community. This important keeping place houses the priceless collection of Tiwi artefacts, carvings, paintings, prints, photographs and war medals.

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Ngawa Mantawi

Jilamara’s Ngawa Mantawi program is an inclusive disability program at the art centre, that aims to support members with diverse needs to have sustainable careers in the arts, while living at home close to family and Country.

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https://captur3d.io/view/uplands/jilamara-arts-crafts-and-muluwurri-museum

We’re on social @jilamaraartsandcrafts

MELBOURNE / Take a walk through Timothy Cook | Japarra amantiya Japilinga: Moon and Stars now on view in our Exhibition Street gallery, through to 11 April 2025.

Cook draws inspiration from parlingarri jilamara, or ancestral designs, passed down through generations. These intricate motifs, a fusion of kurluwukari (circles), pwanga (dots), and marlipinyini (lines), reflect the complex visual language of the Tiwi people.

An enduring focus of Cook’s work is the Kulama (yam), a sacred symbol of the Tiwi initiation ceremony which is held over three days during the yam harvest, when rings of light appear around the moon. This exhibition presents twenty-two new and recent works by Cook, each of which represents Kulama.

Timothy Cook | Japarra amantiya Japilinga: Moon and Stars
D’Lan Contemporary Melbourne | Until 11 April 2025
40 Exhibition Street
Naarm / Melbourne VIC 3000

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Video @gd.content

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@dlancontemporary 
#dlancontemporary #australianart #modernart #contemporaryart #firstnations #firstnationsart #timothycook #jilamaraartsandcrafts #naarm #melbourne #2025
JOHNATHON WORLD⁠
PEACE BUSH⁠
FRIEZE NO.9 CORK STREET⁠
27 FEB - 15 MARCH 2025⁠
⁠
This Is No Fantasy • @thisisnofantasy 

We’re so thrilled to be presenting Johnathon World Peace Bush’s 𝘞𝘢𝘭𝘬𝘪𝘯𝘨 𝘉𝘦𝘵𝘸𝘦𝘦𝘯 𝘛𝘸𝘰 𝘞𝘰𝘳𝘭𝘥𝘴 at Frieze No.9 Cork Street 🧡⁠
⁠Exhibition Opening:⁠
Thursday 27 February | 6 - 8pm⁠
Artist in Conversation + Panel Discussion:⁠
Saturday 01 March | 2 - 4pm⁠
Frieze No.9 Cork Street⁠
9 Cork St | London W1S 3LL | United Kingdom⁠
⁠
Western landscapes are dotted with ‘public sculptures’ - yet they are not of the people. Instead, they become relics of the past, and in time become meaningless objects.⁠
The power of statues derives from the fact they are representations of real people. They stand for racial purity, wealth, and power, often affirming the victory of the colonial narrative. ⁠
In 𝘞𝘢𝘭𝘬𝘪𝘯𝘨 𝘉𝘦𝘵𝘸𝘦𝘦𝘯 𝘛𝘸𝘰 𝘞𝘰𝘳𝘭𝘥𝘴, Bush does not topple his statues – he uses a conceptual framework to manifest his unique and revolutionary approach, collapsing Tiwi markings for the body with ethnographic and art historical imagery in a single composition. In doing so he unravels the dark underbelly of history.⁠
⁠
Please email info@thisisnofantasy.com for an exhibition catalogue 🧡⁠
___________________________________⁠
⁠
#thisisnofantasy #johnathonworldpeacebush @jilamaraartsandcrafts @friezeofficial #No9CorkStreet #frieze ⁠
⁠
Image: Johnathon World Peace Bush, Courtesy Jilamara Arts and Crafts Association. Photography: Will Heathcote
We all had an amazing time at the opening of Melbourne Art Fair today — celebrating an amazing install of Timothy Cook’s work at D’Lan Contemporary’s booth C8 ✨✨✨

D’Lan Contemporary • @dlancontemporary 

A busy day installing at Melbourne Art Fair...

We can’t wait to present Timothy Cook: Japarra amantiya Japilinga: Moon and Stars, in association with @jilamaraartsandcrafts to Fair audiences in Melbourne this week. Find us at Booth C8. 

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Timothy Cook: Japarra amantiya Japilinga: Moon and Stars
Melbourne Art Fair | Booth C8 | 20 – 23 February 2025
D’Lan Contemporary Melbourne | 28 February – 11 April 2025

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Video by @gd.content 

#dlancontemporary #australianart #modernart #contemporaryart #firstnations #firstnationsart #timothycook #jilamaraartsandcrafts #naarm #melbourne #2025
Johnathon World Peace Bush is going to London!! 🇬🇧

We are all looking forward to this exhibition coming together in just a few weeks time ✨✨✨

This Is No Fantasy • @thisisnofantasy
•
JOHNATHON WORLD⁠
PEACE BUSH⁠
FRIEZE NO.9 CORK STREET⁠
27 FEB - 15 MARCH 2025⁠
⁠
We’re so excited to present Johnathon World Peace Bush’s 𝘞𝘢𝘭𝘬𝘪𝘯𝘨 𝘉𝘦𝘵𝘸𝘦𝘦𝘯 𝘛𝘸𝘰 𝘞𝘰𝘳𝘭𝘥𝘴 at Frieze No.9 Cork Street in London later this month 🧡⁠
⁠
Western landscapes are dotted with ‘public sculptures’ - yet they are not of the people. Instead, they become relics of the past, and in time become meaningless objects.⁠
The power of statues derives from the fact they are representations of real people. They stand for racial purity, wealth, and power, often affirming the victory of the colonial narrative. ⁠
In 𝘞𝘢𝘭𝘬𝘪𝘯𝘨 𝘉𝘦𝘵𝘸𝘦𝘦𝘯 𝘛𝘸𝘰 𝘞𝘰𝘳𝘭𝘥𝘴, Bush does not topple his statues – he uses a conceptual framework to manifest his unique and revolutionary approach, collapsing Tiwi markings for the body with ethnographic and art historical imagery in a single composition. In doing so he unravels the dark underbelly of history.⁠
⁠
Exhibition Opening:⁠
Thursday 27 February | 6 - 8pm⁠
Artist in Conversation + Panel Discussion:⁠
Saturday 01 March | 2 - 4pm⁠
⁠
Please email info@thisisnofantasy.com for an exhibition preview 🧡⁠
___________________________________⁠
⁠
#thisisnofantasy #johnathonworldpeacebush @jilamaraartsandcrafts @friezeofficial #No9CorkStreet #frieze ⁠
⁠
Image: Johnathon World Peace Bush, Courtesy Jilamara Arts and Crafts Association. Photography: Will Heathcote

We are supported by

The art centre is the cultural hub of Milikapiti Community, it is also an important place for local school children to learn through culture classes and for many generations of Tiwi people to build bright futures.

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